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Ingo Swann

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Buell's art was astonishing. As it developed she ultimately devised enormous murals on stainless steel panels and used virtually indestructible epoxy paints. She was the first to utilize such paints as an artistic medium, and thus attracted the grateful attention of those who had developed them. She was relatively famous for this innovation, and was a leader in the various mural associations in the United States. Many of her quite dynamic murals exist in South America, Europe and the United States. A good example of one can be found in the Library of Congress. When I met her, although famous as an innovative female artist, Buell was already suffering debilitating neurological disorders from long exposure to the highly toxic fumes from the liquid form of the epoxy resins. It was increasingly difficult for her to walk, and she could no longer lift the heavy machines used to etch the stainless steel panels. She hired me to do this work. I became her student and friend. In spite of her increasing afflictions, Buell's zest for life remained undaunted. One of her favorite topics was psychic phenomena. Buell also entertained, giving large sit-down dinner parties in her glamorous studio on Central Park South, it's tall windows facing on Central Park. An extensive collection of very amazing people attended her parties and dinners. Some of these were soon to play substantial roles in my life.
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