I was told that this was Mr. Charles Honorton, then Assistant Secretary -- and a noted parapsychologist. Honorton was much later to do much constructive work to change the skeptical viewpoints regarding psi of several noted scientists, and altogether his work in this regard was unquestionably admirable. He is dead now, unfortunately passing well before his time, and I regret his disappearance from the scene. And I had the honor of sitting to the left of his boxed ashes at the memorial to him held at the ASPR -- a very sad event, indeed. Rather than have the ASPR go through another conflict about my paintings, of all things, I volunteered to remove them, and did so immediately. Together with three other works, two of the ASPR paintings, including AFT-SHIP'S VIEW OF SAGITTARIUS, ultimately found a permanent home when they were solicited into the "space art" collection of the Smithsonian's National Air and Space Museum in Washington, DC. I gave these paintings (five of them) to the national patrimony for free, although it is certainly a very tiny patrimony. I was proud and honored when the Smithsonian packing crew came and carefully boxed them up. I left one painting behind, though. It was the working sketch in oils for the triptych DEATH OF A MAN, the one Mr. Reed Erickson, Zelda's employer, had bought in 1969 at the