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Ingo Swann

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As the crowd began to thin a little, I had a chance to talk longer to various people. Ms. Ann T. Johnson was the staff photographer at the time and kindly provided me with a set of photos. I treasure them to this day. It was thus that I have a wonderful photo of Janet Mitchell smiling beside the temperamental Dynograph (brainwave/polygraph) machine. Another of my humble self and my past love Pauola standing before my large painting, AFTSHIP'S VIEW OF SAGITTARIUS. And another of my humble self talking with and being nice to, of all things, one of the thenleading editors of TIME magazine, i.e., that magazine of the Fraud Box infamy. And with this my "adventures" with TIME magazine had just begun. Everyone felt the reception was a tremendous success, but I've sort of resented it to this day, for it was held somewhat over the bodies of Janet Mitchell and Dr. Karlis Osis. And so the reception was over, but not quite. The original plan for the paintings displayed at the ASPR was that they should hang there for three months, in order for ASPR members to come in and view them if they wanted. A few days after the reception, though, I was told that a member of the Board was objecting to the paintings on the grounds that the ASPR should not be used to display a private person's artwork.
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