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This possibility offered by the phase is quite useful for the musician, as it allows him to create musical scores of any complexity, including those making use of an orchestra or chorus, whose members can led be easily and freely, without worrying about how difficult it is to do this or that, and without having to avoid over-straining those musicians who must comply to his every demand. Also, he does not have to worry about whether the orchestra, for example, will able to immediately play the notes just as he wants, because the output will always comply with his wishes. Naturally, to this end the student must first master how to control the phase, but is that really an obstacle? A sculptor or an architect can easily create anything in the phase and review it in every detail, and thus have an advance opportunity to uncover any weak aspects of his design. There's no point in describing how artists of every medium can make use of the properties of the phase, because such people can figure out those uses for themselves. Undoubtedly, an artist working in any medium can find something there for himself. It must also be emphasized that works of art created in the phase state won't disappear anywhere. That is, there is no need to worry about recasting works of art already created in previous phase experiences. They are preserved there forever, and can always be found there again. In other words, any and all information can be stored with perfect fidelity. The only thing a creative person may have to worry about is how, in the real world, to reproduce those wonderful masterpieces that he creates so easily in the phase. The fact is that the phase space is much more powerful than our waking conscious awareness - that is, our capabilities are much reduced during waking life. However, there will always be a chance to go back into the phase and work out the details. In essence, everything is limited only by our primitive memory, which is often unable to recall such large amounts of information during waking life. SPORTS