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its internal components may be examined. Everything here is generated in only an instant. But then the trouble starts. The practitioner multiplies 2 by 2 and gets some odd result, e.g.: AP345B, 5?eE74047... etc. That is, the result is anything but the correct product. A paradoxical situation now arises: the subconscious mind generates a space around the practitioner, accurate to an impossible degree and up to the minutest detail. However, this very same subconscious mind is unable to multiply simple numbers together, a simple math problem that the practitioner himself can solve within a second. Doesn't this situation seem strange? Actually, not at all. The phase space and its computing resources are not at issue here. For the phase, this calculation is not difficult at all. This is really a mere trifle for the resource that the practitioner has at his disposal, even if he himself has difficulties with multiplication tables. The crux of the problem lies in the mind of the practitioner when he is performing this given test. He may simply lack confidence (and this doubt will be reflected in the result). In addition, there may be a mass of other thoughts and feelings going through his head, which may bring all of his efforts to naught. For some reason, it sometimes seems that a similar phenomenon pertains not only to the phase, but also to the everyday physical world... A quite similar situation arises with the technique of translocation in the phase with eyes closed. It is enough to think of something extraneous, enough to have some doubt in the outcome of the flight, and that flight will then take much longer, or even eject one into a different place, or simply return one back to the physical body. The very same mechanisms and systems are at play when obtaining information. While with teleportation it's enough to translocate several times in order to understand the essence the answer sought, or to feel it, more protracted problems may develop with obtaining information. One of the proven properties of the phase state is that its stability and steadiness are directly proportional to those of the person experiencing the sensations it offers. For this reason, the external characteristics of objects tend to be very