the Romagna with the help of his cruel minister Remirro
de Orco, Machiavelli tells us, Borgia decided to deflect
people’s hatred away from himself by putting the blame
for all atrocities on his minister and then doing away with
him: so ‘he had de Orco beheaded and his corpse put on
display one morning in the piazza in Cesena with a wooden
block and a bloody knife beside. The ferocity of the spec-
tacle left people both gratified and shocked.’
It’s hard not to feel, as we read the chapters on Borgia,
that this is the point where Machiavelli’s book ceases to be
the learned, but fairly tame, On Principalities and is trans-
formed into the extraordinary and disturbing work that
would eventually be called The Prince. In short, Machiavel-
li’s attention has shifted from a methodical analysis of
different political systems to a gripping and personally
engaged account of the psychology of the leader who has
placed himself beyond the constrictions of Christian ethics
and lives in a delirium of pure power. For a diplomat like
Machiavelli, who had spent his life among the powerful
but never really held the knife by the handle, a state
employee so scrupulously honest that when investigated
for embezzlement he ended up being reimbursed monies
that were due to him, it was all too easy to fall into a state
of envy and almost longing when contemplating the awe-
some Borgia who had no qualms about taking anything
that came his way and never dreamed of being honest to
anyone.
At a deep level, then, the scandal of The Prince is